Review of the Mackie 2404-VLZ3 mixing console which is a 24-channel mixer.
One of the very most important pieces of equipment that will affect the sound of your live band is your mixing console. I recently upgraded to the Mackie 2404-VLZ3 24-channel mixer. This mixer features 24 channels with 20 of those channels being XDR2 microphone channels and 4 channels being grouped on two faders as stereo channels. The mixer also features two built-in effects units that feature 24 separate effect presets. The mixer also features 8 separate compressors.
One feature that really sold me on this mixer was the built-in compression. There are four compressors located on channels 17-20 which is great for adding compression to individual instruments like the kick drum or bass guitar. There are four more compressors located on the four sub-group channels. Having the compressors located on the four sub-group channels is great for adding overall compression to the instruments or vocals. I route my vocal mix to sub-groups 1 and 2 and then add compression on those faders. I do the same with my instrument mix on sub-groups 3 and 4. I love the compression feature of this mixer! Continue reading “Mackie 2404-VLZ3 Mixer Review”
Review of the live performances at the 55th Annual Grammy Awards Show held on February 10, 2013.
After last year’s Grammy Awards I said I wasn’t going to watch it anymore. It’s long, it’s tedious and the speeches are almost universally boring. But it’s those moments when an artist really nails a live performance or when something truly meaningful is said during an acceptance speech that brought me back to the grammies once again this year. I always like to see if I can decide if a performance is live or if it’s just a fancy lip-synch dance number. So I watched the show hoping for an amazing performance or even a great joke or memorable acceptance speech. The show was broadcast on February 10, 2013 and this is how the whole night went down.
The Shure SE215 sound isolating earphones sound great but they just don’t fit as well as the SE115 did.
I have been using the Shure SE115 sound isolating earphones in my live band and at the gym for about 3 years now. They have been great headphones and I’ve really loved them. I finally wore through the cord where it passes over my ears and it’s impossible to only replace the cord in that area on the SE115’s. So I decided to purchase the new Shure SE215 sound isolating earphones which have replaced the SE115 product. I was so happy with the SE115’s that I felt confident that the SE215’s could easily replace them.
Get to know a little bit about Doug White in his first article for Live Musician Central.
Writing and working on content for Live Musician Central has been an invaluable resource for me when it comes to connecting with other live musicians. I have had many e-mails and comments from readers regarding my posts as well as inquiries about my Fender Cyber-Twin SE sound patches. I’m fairly well known in Utah but I have been able to connect with musicians outside of Utah because of Live Musician Central. Today I would like to introduce our latest contributing author, Mr. Douglas White from Brick, New Jersey. I met Doug because of his interest in the Fender Cyber-Twin SE sound patches that I posted on Live Musician Central. I’m looking forward to having Doug contribute to Live Musician Central. For his first authored post Doug will tell you a little bit about himself and his career as a live performing musician. -Matt-
Brick, New Jersey
Guitar Player How long have you been playing?
I originally started playing when I was around 14 years old. I was young with a passion for music in the 70’s and I knew that the girls just loved a guy who played music. These were the two biggest drivers for me. My best friend, who lived three doors down from me, was a guitar player and was very good. He suggested that I take up playing and learning bass guitar so that we could get something going. We searched the music stores looking for a good deal and then trying to find a way to pay for it. From the time I was 12, I had a paper route. This is probably a foreign concept to many young people today, but back in the day, we would have the local newspaper to deliver to peoples’ homes to try and earn money. It wasn’t much by today’s standards, but back then it seemed like a lot. Continue reading “Introducing Douglas White – Guitarist and Live Musician”
Review of the 84th Annual Academy Awards held on February 26, 2012. There were no musical performances of any note.
Every year I watch the Academy Awards to see the musical performances of the songs nominated for Best Original Song. One thing I love about musical performances at the Oscar Awards is the fact that they are all live performances. The 2012 Oscars featured only two nominees for Best Original Song which was kind of a bummer because there were bound to be fewer musical performances.
This year the songs nominated for Best Original Song were:
Alisha Sabin continues her story of getting the chance to sing with her first live band.
My first live performance. It seemed like I should be much more nervous than I felt. I was so focused on getting the words right and singing in tune that I almost forgot that there were people sitting down listening to the band play. The first live performance felt like a regular band practice. It felt natural and not complicated. I was singing in on two songs and then I was done. As I stood before the microphone I could start to feel the uneasiness set in. The singing and the remembering of the words was no longer on the fore front of my mind. I was concerned about how I looked. Did it look natural? Or could you completely tell that I was new at this? Continue reading “The Hairbrush Chronicles Part 4 – My First Live Performance”
Review of the live performances at the 54th Annual Grammy Awards Show held on February 12, 2012.
I said I wasn’t going to watch the 54th Annual Grammy awards this year. I really hate the industry love-fest they have. But I love to hear how live bands and singers do on awards shows. It’s always fun to try and guess who’s lip-synching and who has the chops to pull it off live. So how did the performers fare at the 54th annual Grammy awards show? Let’s break it all down here.
The show took place on February 12, 2012 and opened with Bruce Springsteen and the E-Street band. Bruce looked excellent and he’s keeping himself in great shape. His voice was strong although maybe not as cutting as in the past. The band sounded great though. It was sad to see him without the great Clarence Clemons. Bruce did a live performance and it was a great way to start the show. Continue reading “54th Annual Grammy Awards Review 2012”
The commercials were pretty lame on the way to halftime and the first half of the game was less than inspirational. It was up to Madonna to blow the roof off of Lucas Oil Stadium in Indianapolis with her live performance. The vital statistics for the halftime show are 8 minutes to set the show up, 12 minutes to blow the world’s minds and 7 minutes to take the show down. Madonna was quoted as saying “That’s a lot of pressure.” So how did the 53-year old Queen Of Pop do in her Super Bowl halftime performance?
In recent years the NFL has stuck with the more seasoned performers for their Super Bowl halftime shows. Ever since the infamous Janet Jackson “wardrobe malfunction” which gave the world an eyeful of a healthy breast the NFL has played it pretty safe. Madonna was admittedly a bit riskier performer than Paul McCartney, Prince or even the Black-Eyed Peas as she has been known to stir up controversy in the past. Continue reading “Madonna Super Bowl XLVI Halftime Show Review”
The Snark-SN2 chromatic tuner makes tuning any instrument quick and easy. Tune guitars, bass, saxophone, trumpets, oboes, violins and more!
I’m always looking for good pieces of music equipment that will make my life easier playing in my live band. I’ve never been a fan of having to plug a tuner into my signal chain with my guitar. I also get tired of unplugging my guitar and then plugging it into a tuner over and over through a gig. Enter the Snark SN-2 digital clip-on tuner. This convenient tuner solves both of these problems easily.
The Snark SN-2 tuner clips directly onto your electric guitar or bass and senses the vibrations from the strings to give it an accurate reading of your instruments tuning. The Snark SN-2 will also clip onto any acoustic instrument including guitars, saxophone, trumpet, trombone, oboe or anything that vibrates. The Snark SN-2 also has a built-in microphone so you can tune keyboards with it as well. It’s a chromatic tuner with extended frequency range so it will read any note on the scale and tell you whether you are in tune or not. Continue reading “Snark SN-2 Clip On Tuner Review”