My main onstage guitar amplifier for the last couple years is the Fender Cyber-Twin SE. As a live guitarist this amplifier has been invaluable to me. Because I play in a cover band as well as an original band, I needed an amplifiereffects setup that could cover a wide range of different guitar sounds. At a gig I will use sounds ranging from a country twang to hard rocking Marshall type distortion to full on saturated mid-scooped distortion. I used to use a Digitech 2120 Valve Guitar System but it just didn’t have the punch and presence of an actual amplifier and it’s sound always left me wanting more power. When I was searching for a new amplifier I played a bunch of modeling effects units and amplifiers including the Line 6 POD, Boss GT-8 Effects Processor and the Line 6 Vetta 2 among others. None of those modeling devices gave me the playing response that the Fender Cyber-Twin SE did. The biggest thing I noticed was on the other modeling devices, whether I played light or heavy, or when I turned the guitar down or up, the sound stayed the same. The Fender Cyber-Twin SE responded to my playing touch, guitar volume adjustments and my picking attack. It simply breathes more than a standard DSP modeling amplifier. There’s a secret to how Fender achieved this with the Cyber-Twin SE.
My stage amp is the Fender Cyber-Twin SE and it has been the best live amplifier I have ever used.