Live Musician Central

  

If you’ve been reading Live Musician Central for very long I’m sure you know I absolutely love Sony Acid Pro 6 Professional Music Workstation software. It’s extremely powerful and can be the heart of your own home recording studio. Sony Acid Pro 6 is a very capable and deep program which is easy to learn but can be a challenge to master. Today I want to turn you on to an excellent guide written by D. Erik Franks called “ACID Pro 6 Power!: The Official Guide“.

   Acid Pro 6 Power is a deep, detailed look at the capabilities of Sony Acid Pro 6. The users manual that comes with Sony Acid Pro 6 will tell you the basic features of Acid but it doesn’t take you very deep into how to get the full benefit of those features. That’s where “Acid Pro 6 Power!” comes in handy to fill all those missing details. There is something for every skill level in “Acid Pro 6 Power!” and it can take your music productions to the very highest quality possible with Sony Acid. Read more »

   One of the most important aspects of mixing music in a live venue or in the studio is the use of equalization. The other day I wrote about how to tweak your guitar amplifier EQ settings. Today I’m going to write about the effect of equalization on other parts of the mix.

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   One of the most important pieces of marketing material you will produce for your band is your demo recording. I’ve already discussed using a live recording in your marketing kit

as opposed to a studio produced recording. Today I would like to discuss your song selection that you will be including on your demo. The songs you choose for your demo can sell your band in many different ways.

   I guess it’s a no-brainer that you will want to put your best songs on the demo recording. What determines your best songs? A combination of different things. Obviously you want the songs that you actually play the best. These would be the songs that the band knows like the back of their hand. Songs that you play perfectly every time you play them. It’s very important that you give a great consistent performance of your demo songs so when you play them in another club you will sound like your demo.    Read more »

   As a musician I’ve wondered what my legacy will be. Will anyone remember or care that I worked so hard at music for so many years after I’ve gone? I’m hoping that at least my kids will remember and care about my musical legacy after I’m gone. So what is something concrete that you can leave behind? I believe that the recordings that you should be making over the course of your career will be the biggest evidence that you really gave music your best shot. A good body of recorded work will document your life as a musician in a way that nothing else will. It will show your progression from beginner to being the best you could possibly be. A good body of recorded work will bring you a lot of enjoyment as you get older and want to take a trip down memory lane to see where you’ve come from as well. I know listening to my old recordings makes me feel really good about where I am now.

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   There are a lot of incredibly good audio recorders on the market right now. They are compact and handheld with built-in stereo microphones. Having one in your gear arsenal is very important for a number of reasons.

   I’ve written before about how important it is to record your live performances. You can learn so much from hearing your gigs back on a recording. Having a recorder like the
Olympus LS-10 Linear PCM Recorder can make recording your live shows as easy as setting the recorder up in the back of the room and letting it record. Since it’s all digital you can edit out dead spaces later. Making a back of the room recording is a good idea because it really lets you hear what the audience is hearing. You can also capture the audience reaction to your performance. If you get good at placing the recorder where it picks up well, you could end up with an excellent live recording that you could use as a demo in your bands marketing kit.      Read more »

One of the most important parts of your bands marketing strategy is your Demo CD. The Demo CD is going to be one of your biggest selling points in getting new gigs for your band. I’m going to give you a few tips for putting together a Demo CD that will help sell your band to club owners.

   I was listening to Demo CD’s one night with a club owner who was trying to sift through prospective band for his club. I remember he kept saying things like ”Studio recording”, “Studio Effects”, and “Too Produced”. And he would toss those Demo CD’s in the trash. What the guy was looking for was a live representation of how the band would sound when they played in his club.

   So the most important aspect of putting together a successful Demo CD is to make a good live recording of your band. Preferably with a lot of crowd cheering mixed in. Club owners want an accurate snapshot of how you’ll sound playing in their club. They want to hear how you talk to the crowd and how the crowd is reacting to you. So a live CD is the must for getting into clubs.

   If you do want to mix a few studio tracks on your Demo CD that’s okay, but put them at the end. Club owners really don’t care what you sound like in the studio. The best thing to do is have the live demo for the club owners and a studio demo to give to fans at your shows. The studio demos should also have some live tracks at the end because you never know when one of your fans is going to put a Demo CD in the hands of someone who can line gigs up for you.

   There are a couple ways to capture a good live CD. One is to record your show at a club that you regularly play at and hopefully you’ll catch a good night. Another way is to control things a bit more and invite a rowdy crowd of friends to a more controlled environment for recording. I’ve done both and the demo’s we’ve recorded with a crowd of friends has usually turned out better just because the band was more relaxed and interacting easier with the crowd. Remember, the club owners want to hear some stage banter.

   Finally, put your best songs on the Demo CD. Make sure they’re the songs that everybody will know and recognize. If you want to really show off your skills with a highly technical song, only put one on. Also, unless you want to play weddings, only put one slow song on the Disc.

   It’s really excellent practice to record all your live shows because you never know when you’re going to have that perfect gig. You just may get the live recording of a lifetime. So be prepared by having a recorder at the gig recording your show.

   So you’ve finally got enough songs, enough time and enough cash to get yourself some studio time and record that album you’ve always dreamed about. So what else do you need to do to get ready to make every minute count?

   The number one most important thing is to have the songs fully written and learned before going into the studio. You don’t want to waste valuable studio time making changes to the songwriting in the studio. You should have all your instrument parts learned including solos. Your singer should have all the lyrics memorized and everyone should have their backup vocal parts learned and memorized. Read more »

   One of the finest pieces of equipment I have ever owned is the
Line 6 TonePort KB37 Audio Interface and MIDI Controller.
This little device has the power to be your sole interface into your digital audio software workstation. I use this controller with my laptop and Sony Acid Pro 6. They work perfectly together with the KB37 providing MIDI keyboard control as well as 2 mic inputs with built in 48v phantom power, a guitar/bass input and stereo line inputs. It also has an S/PDIF out, TRS line outputs, TRS monitor input and an independent headphone jack. With that many inputs and outputs it’s your total solution to your audio interface needs when multi-tracking your projects on your computer.

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   What is good tone? Well, the dictionary defines it as “The distinctive property of a complex sound.” I define tone as “The sound that brings me the most pleasure to listen to.” As a guitarist, I’m especially tuned in to the tone of my guitar. My guitar’s tone is the result of my guitar, amp and player’s touch working together to create that “distinctive property” that is the most pleasurable for me to listen to.

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    Why do we as musicians want to give our music away for free? The business term is Marketing. Music is what we do and our music is our offering to the world. Our music is what we hope that people will want to listen to and ultimately buy from us. Our goal is to make the most amount of money from our music. To do that, our music has to be heard by as many people as possible. Read more »