Check out a sound clip and download a free custom preset sound patch for your Fender Cyber-Twin SE Guitar Amplifier. This one is “LMC Stack Hot”
Today on Live Musician Central I’m posting another one of my custom programmed sound preset patches for the Fender Cyber-Twin SE guitar amplifier. This one is called “LMC Stack Hot” and it is a more powerful version of my “LMC Stack Chorus” preset that I posted last week. I actually use “LMC Stack Chorus” and “LMC Stack Hot” together on a lot of songs. The basic sound is that of a classic Marshall amplifier which I wanted to thicken up with stereo chorus and create the illusion of having a 2nd guitar. On “LMC Stack Hot” I used the same basic tone as “LMC Stack Chorus” but I switched to Sine Chorus insted of Triangle Chorus for a smoother, more focused chorus sound. I also switched to HMB Tube 2 drive circuitry, added compressor and cranked the gain up a bit to increase the sustain. I use “LMC Stack Hot” as a boost for solo’s or to add more sustain in songs that I’m using “LMC Stack Chorus” as the main sound. I switch between both sounds in the same song a lot of the time but they do get used on their own in different songs as well. Continue reading “Download Free Fender Cyber-Twin SE Preset Patch “LMC Stack Hot””
The Behringer FCB1010 will work perfectly as a foot controller for your Fender Cyber-Twin SE amplifier.
I have the Fender Cyber-Twin SE amplifier and have been using it in my live band as well as in my recording studio for about 3 years now. It has proven itself time and time again over the years and I’m very happy with the Cyber-Twin SE. I’ve recommended the amplifier often over the years to my students and fellow musicians. When I bought my Cyber-Twin SE the Cyber Foot Controller was readily available and I purchased one along with the amplifier. Since then the Cyber Foot Controller has seemingly disappeared. I haven’t seen any formal announcement from Fender that the pedal is discontinued but it sure seems to be gone. The only place I’ve seen them recently is occasionally on eBay. I have had many people ask me what MIDI controller to use with the Fender Cyber-Twin SE and I recommend the Behringer FCB1010 MIDI Foot Controller. It’s unbelievably inexpensive for how perfectly it works with the Cyber-Twin SE. Continue reading “Foot Control Pedal For Fender Cyber-Twin – Behringer FCB1010 MIDI Foot Controller”
Save some money on the Fender Cyber-Twin amplifier by bidding on excellent used amps.
It’s tough enough to survive as a performing live musician without having to fork over all your hard earned pay for a good amplifier. Since Fender jacked the prices up on the Fender Cyber-Twin SE amplifier by a whopping 30% they’re even farther out of reach for a lot of working musicians. I don’t know about you but the clubs sure aren’t paying me 30% more this year and I don’t expect that they will anytime soon. So that leaves us searching the excellent used equipment market. Check out the eBay listings below and you just may find the Fender Cyber-Twin amplifier of your dreams. The original Cyber-Twin amplifier is a lot more common used than the Cyber-Twin SE. The original is still a great amplifier and you can pick them up for a great price on eBay. Keep an eye on these listings though because Cyber-Twin SE’s do pop regularly. The listings below are a great way to find the original Cyber Controller which is the MIDI controller that you can use with the amp as well. If you purchase a Fender Cyber-Twin SE remember to come back here to Live Musician Central for some great sound preset patches you can download to program into your amplifier. Check out the Fender Cyber-Twin SE Preset Download page to hear sound clips of this amazing amplifier.
[phpbay]Fender cyber twin, 10[/phpbay]
Matt discusses the effect of the Fender 25% price increase on the average working musician.
Yes fellow musicians it’s true, Fender musical instruments has raised prices on their professional level instruments by approximately 25%. That means the American Deluxe Stratocaster you’ve been saving up to buy for $1249.00 is now going to cost you $1599.00. That’s quite a painful price increase when you’re saving up your hard earned gig money to buy a professional level Stratocaster. Is it fair for Fender to do this? Of course it is, this is America and you can charge whatever the market is willing to bear. As always, it’s the choice of the musician’s to buy or not to buy and it’s going to be very interesting to see how this is going to affect buying choices.
My stage amp is the Fender Cyber-Twin SE and it has been the best live amplifier I have ever used.
My main onstage guitar amplifier for the last couple years is the Fender Cyber-Twin SE. As a live guitarist this amplifier has been invaluable to me. Because I play in a cover band as well as an original band, I needed an amplifiereffects setup that could cover a wide range of different guitar sounds. At a gig I will use sounds ranging from a country twang to hard rocking Marshall type distortion to full on saturated mid-scooped distortion. I used to use a Digitech 2120 Valve Guitar System but it just didn’t have the punch and presence of an actual amplifier and it’s sound always left me wanting more power. When I was searching for a new amplifier I played a bunch of modeling effects units and amplifiers including the Line 6 POD, Boss GT-8 Effects Processor and the Line 6 Vetta 2 among others. None of those modeling devices gave me the playing response that the Fender Cyber-Twin SE did. The biggest thing I noticed was on the other modeling devices, whether I played light or heavy, or when I turned the guitar down or up, the sound stayed the same. The Fender Cyber-Twin SE responded to my playing touch, guitar volume adjustments and my picking attack. It simply breathes more than a standard DSP modeling amplifier. There’s a secret to how Fender achieved this with the Cyber-Twin SE.
When you’re EQ’ing your guitar at home you’re most likely turned lower in volume than onstage. You’re also most likely directly in front of your amplifier with the amp within arms reach so you can tweak the controls. So you work and tweak your amp until it sounds perfect and you’re happy with your tone. So why does it sound so horrible when you get to the gig?
I recently had the opportunity to play a ’59 Fender Bassman Reissue amplifier and I was really blown away with how amazing it sounded. As a guitarist you hear stories of the great amplifiers as you learn your craft and you hear the amplifiers on recordings. But there’s really nothing like playing the amps yourself and really being able to crank them all the way up. The thing about tube amplifiers is they give you more sweetness the harder you push them. Every tube amp I’ve played has had a sweet spot where the amplifier really sings.
So I got to really push the ’59 Fender Bassman Reissue and let me tell you, it’s loud. But it sounds so damn good that you don’t care how loud it is. It’s ecstasy because it’s a sound that you recognize from all the recordings that have been made with this amplifier. I love it when an amplifier roars when you really hit your guitar hard and then quiets down and softens as you play softer and roll down your guitar volume. Continue reading “A Classic Fender Amp, The Fender Bassman”