Download LMC Triple Delay, a free Fender Cyber-Twin SE Amplifier sound patch preset.
Here’s another great Fender Cyber-Twin SE patch from Live Musician Central for all you Cyber-Twin SE owners out there. I’ve always been a huge fan of using timed delays on my guitar. I’m a huge Brian May fan and also a big fan of The Edge from U2 both of whom are masters of using delay on their guitars. Just check out Brian May’s guitar solo on the Live At Wembley Stadium DVD for a great example of working with a triple delay for some really fun guitar harmonies.
That brings me to todays preset patch for the Fender Cyber-Twin SE. The Cyber-Twin SE has a killer tape echo setting that is perfect for creating timed delays that have a beautifully chorused sound as well. Fender has incorporated a great simulation of tape head Wow and Flutter that gives a sweet detuned chorus effect along with this delay. So I’ve used that feature to great effect in my Triple Delay patch. Continue reading “Download Free Cyber-Twin SE Preset Patch – LMC Triple Delay”
Download a free Fender Cyber-Twin SE sound patch for your amplifier. This one is titled LMC Hi-Gain Solo.
Today on Live Musician Central I’m posting another one of my custom programmed preset patches for the Fender Cyber-Twin SE Amplifier. This one is titled “LMC Hi-Gain Solo” and it is an extremely high gain distortion. Since I have the gain on the main amplifier and the built-in overdrive cranked so high the patch can get quite noisy. I have compensated with the noise-gate but you will have to use the volume knob on your guitar to get complete control over this sound. I have assigned the Continuous Controller and the Expression Pedal to the gain controls on the amp and the overdrive so you can tame it down using pedals if you wish. I use this sound exclusively for solo’s when playing live and the noise in the patch isn’t noticable in a live situation. If you record with this preset then just use a noise gate on your channel and it sounds fabulous.
Another excellent preset for your Fender Cyber-Twin SE Amplifier. It’s titled LMC 80’s Rock and it’s perfect for 80’s rock or metal.
Here’s another one of my custom Fender Cyber-Twin SE patch presets that I programmed for my Fender Cyber-Twin SE Amplifier. If you do any 80’s Hard Rock or Metal in your live band I programmed this patch specifically for that genre. It has some chorusing and some fairly heavy delay and reverb. As always I have the gain control on the continuous controller so you can easily crank it for the Metal stuff. I also put Chorus Depth control on the Expression Pedal so you can take the chorus all the way out or crank it up if you want to. It does sound nice and 80’s! I hope you like it.
I used my ‘98 Jeff Beck Signature Stratocaster on this sound clip. It has a dual single coil in the bridge position and I have one Gold Lace Sensor and one Red Lace Sensor in those positions. I have both those pickups turned on together on this clip but the bulk of the guitar sound is coming from the Red Lace Sensor. It sounds like a bright humbucker. My Gibson Les Paul Custom sounds very similar to this clip. My 2005 American Deluxe Stratocaster sounds fantastic with this preset when I use the bridge pickup alone or the bridge and middle pickups running in series configuration using the S-1 switch.
How to save and load sound presets on your Fender Cyber-Twin Se Amplifier using MIDI System Exclusive Data.
I use the Fender Cyber-Twin SE Amplifier as my main amplifier and have programmed many custom patches for it. It would be catastrophic to say the least if I lost all my presets before or during a show. That’s why I have backed up all my presets in MIDI System Exclusive format and I keep a copy on our computer that we use at all shows. The best and easiest way to load patch presets onto your Fender Cyber-Twin SE Amplifier is by using MIDI System Exclusive data. The Cyber-Twin SE creates and communicates this type of MIDI data natively and it works flawlessly for backing up, sharing and loading your patches. It’s much easier than tediously entering in all the parameters by hand which would be very difficult at a gig. The beauty of using MIDI Sysex data is that it will save all your front panel EQ settings as well as all expression pedal settings and assignments for each preset as well.
As you know, I use the Fender Cyber-Twin SE amplifier in my live band and in the recording studio. I’ve spent many hours programming and perfecting my own custom patches for the presets on my Cyber-Twin SE. One feature that I love about the Cyber-Twin SE is the ability to transmit and store the presets to my computer as MIDI system exclusive data. That gives me a permanent backup of all my custom presets just in case anything happens to my amplifier. All my hours of programming aren’t lost if something catastrophic should happen.