Proper equalization is one of the most important things you can do to improve your bands live sound as well as your recordings.
One of the most important aspects of mixing music in a live venue or in the studio is the use of equalization. The other day I wrote about how to tweak your guitar amplifier EQ settings. Today I’m going to write about the effect of equalization on other parts of the mix.
There are a lot of incredibly good audio recorders on the market right now. They are compact and handheld with built-in stereo microphones. Having one in your gear arsenal is very important for a number of reasons.
I’ve written before about how important it is to record your live performances. You can learn so much from hearing your gigs back on a recording. Having a recorder like the
Olympus LS-10 Linear PCM Recorder can make recording your live shows as easy as setting the recorder up in the back of the room and letting it record. Since it’s all digital you can edit out dead spaces later. Making a back of the room recording is a good idea because it really lets you hear what the audience is hearing. You can also capture the audience reaction to your performance. If you get good at placing the recorder where it picks up well, you could end up with an excellent live recording that you could use as a demo in your bands marketing kit. Continue reading “Get A Good Music Recorder”
In an earlier article I mentioned how important it was to record your band live. Having live recordings of your band will help you learn where you need improvement. Club owners also prefer having a live demo of the band instead of a studio recording. While looking for collectible equipment I stumbled across and incredible deal at Musician’s Friend. Today I’m going to tell you about the
TASCAM DP-02CF Portastud (Mislabeled) Portastudio 1139.
Being a guitar player and using very voltage sensitive amplifiers, I have always struggled with getting good clean power to my equipment. Bad power can cause all sorts of problems from strange noises to complete equipment failure. Today I’m going to recommend the power conditioner I use on my guitar rig, the
Furman PL-Plus II Power Conditioner with Voltmeter.
The Line 6 Toneport KB37 is a total solution for your audio interface and MIDI controller needs.
One of the finest pieces of equipment I have ever owned is the Line 6 TonePort KB37 Audio Interface and MIDI Controller.This little device has the power to be your sole interface into your digital audio software workstation. I use this controller with my laptop and Sony Acid Pro 6. Sony Acid works perfectly with the KB37. The KB37 provides MIDI keyboard control as well as 2 mic inputs with built in 48v phantom power, a guitar/bass input and stereo line inputs. It also has an S/PDIF out, TRS line outputs, TRS monitor input and an independent headphone jack. With that many inputs and outputs it’s your total audio interface solution when multi-tracking your projects on your computer.
Review and recommendation of the Shure SM57 Dynamic Microphone. It’s the best in the world at instrument micing.
If you’ve been in any recording studio or seen any band live with microphones on the guitar amps, you’ll have seen the Shure SM57 Instrument Microphone. This mic is a dandy! (and I don’t say “dandy” very often). My experience with the Shure SM57 has been nothing but positive. The microphone is tougher than nails and my guitar amp sounds fantastic with my pair of SM57’s on it.
Review and recommendation of the Behringer ADA8000 Ultragain Pro-8 A/D D/A converter. For adding 8 channels with Mic preamps to Digi-002.
When I upgraded my studio from my old Fostex 24-track system to my Digidesign Pro Tools setup I lost some critical functionality. My Digidesign Digi-002 Rack system only had 8 total inputs which was a major downgrade from my 24-track. To be able to do live studio recordings with the whole band I needed a minimum of 12 channels for our 4-piece band.
Luckily my Digidesign Digi-002 Rack has a built-in ADAT interface. So my search began for an A/D Converter with Mic preamps built in. Continue reading “Behringer ADA8000 Ultragain Pro-8 A/D/A Converter”